By Laura Knight-Jadczyk
In 1993, after a dramatic alien craft sighting, skeptical hypnotherapist, Laura Knight-Jadczyk, undertook the channeling test that resulted, after years of committed paintings, in what's often called the Cassiopaean Transmissions. the nearest analogy to the view of truth provided by way of the Cassiopaeans is graphically explicated within the motion picture, The Matrix, in which our truth is gifted as a working laptop or computer program/dream that "stores" humans in "pods" so they are batteries generating power for a few big computer dominating the realm. the adaptation among the metaphor of The Matrix and the view of the Cassiopaeans is they suggest a theoretical para-physical realm as one other layer within the constitution of space-time from which our personal fact is projected, looping over and over in unending diversifications. you may say that the hyperdimensional geographical regions are the "future" in a truly actual experience. This para-physical fact of hyperdimensional area - the world of the Matrix programmers - in line with the Cassiopaeans, is inhabited by means of beings of either optimistic and detrimental polarity who've "graduated" from our truth yet no longer inevitably within the feel of "dying" and going to a strictly airy realm, yet relatively that it's, successfully, a global of the long run that creates our current through projecting itself into the earlier. what's vital to achieve is if we predict in regards to the destiny by way of possible futures, or branching universes, then what we do now, no matter if we get up from the Matrix, determines what sort of destiny we event, separately and jointly. The Cassiopaeans taught Laura and her associates approximately this Matrix fact, supporting them to come back to grips with, know the way it operated, after which, to take the mandatory steps to turn into unfastened. In different phrases, the Cassiopaeans supplied the "Red tablet" for awakening. This publication is a dramatic new addition to the style of mystical autobiographies.
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In the earlier version of the story, Mother said she and a friend went out the front, but later she claimed she did it alone. Nevertheless, as soon as they reached the corner of the house, a white figure went flying past across the street and into the nearby woods. It happened so fast that, to this day, she can’t say what her real impressions were. She was convinced that it was Cedric playing tricks and, believe it or not, didn’t consider this a serious threat! No one figured out how the locked window unlocked itself three times in a row.
He was also calling his family as well, so they soon began pleading with Mother, promising they would take responsibility. She was reluctant until one of the doctors told her that Cedric was ready to be released if she would come and take care of the paperwork. Now this is singularly strange. Supposedly she is not even legally married to him, yet she is the only one who can sign him out of the hospital? And the doctors ask her to do it also? Mother drove to Augusta, where the doctors assured her that anything he had ever told her about his experience in the Navy was simply untrue and that she was not to believe a word.
And then, suddenly, up a steep sloping lawn and dead-on into a palm tree! I flew forward. My face hit the dashboard and blood was running into my eyes. A group of policemen came up to the car. Several took my stepfather out on one side of the car and handcuffed him. I was taken out the other side by another policeman. He took me to his car to drive me home. Now, that is from my memory. My mother filled in the other side of the story in recent years after I’d shared my memories with my brother. We decided to ask her about it.
Amazing Grace by Laura Knight-Jadczyk